Mark Firth doesn’t speak, or work, like a stereotypical artist. ‘Equipment is my vocabulary,’ he says, surrounded by rulers, slicing mats, sketchbooks stuffed with ‘web page after web page of numbers’ and gadgets designed to shave steel to the thousandth of an inch. His London studio, with its whirring equipment and largely unadorned partitions, could be straightforward to mistake for a boutique steel workshop. However because the quick movie Precision as a State of Thoughts particulars, Firth has a refined creative imaginative and prescient – one impressed by the intersection of objects and science, in addition to the artistic problem-solving that emerges from his intricate processes. The quick documentary captures Firth in his studio over the course of two years as he creates block sculptures for an exhibition on the Graves Gallery in Sheffield, England. That includes Firth’s mild narration set in opposition to a barely there rating and cinematography as exact as its topic, the movie offers a meditative window into the world that Firth has constructed across the issues that fascinate him.